Abominable (2019)
Movie Size - 1.88GB
Original title: Abominable
Year: 2019
Director: Jill Culton
Actors: Sarah Paulson, Eddie Izzard, Tenzing Norgay Trainor, Albert Tsai, Chloe Bennet
Release date: September 27, 2019 (MX)
It is curious that exactly one year ago, on September 28, 2018, it was premiered in Mexico Small Foot (2018). That Warner Bros. animation told a nice and casual story located in the community of the legendary beings known as Yetis in the Himalayas.
364 days later, a new family-cut anecdote arrives on the big screen, around the myth of the abominable snowman or Yeti. This time, the story starts from a large metropolis in China, to take a tour of the vast and diverse territory of that nation, heading to Everest. A road movie in all the extension of the term and of that immense country.
Yi is an introverted teenager who avoids social contact even with her mother and grandmother, with whom she lives in an apartment. Reasons are not lacking, although the primordial is quite serious. Yi is an fatherless father, with whom she had a special bond and an affection that was expressed and nurtured through music. Through the violin. The accidental encounter with a strange creature on the roof of his building will detonate an unusual journey.
Throughout the trip, the film manages to convey a message about man's understanding of nature and empathy for others, without this meaning that moments of great joviality, emotion and adventure are missing.
The new Dreamworks production is irreproachable in the quality of its digital animation. The study had the essential participation of Pearl Studio, a company located in Shanghai. The Chinese animators not only contributed their technique and style, but also the knowledge of the culture and daily life that are reflected on the screen. In terms of audience, the big bet is aimed at the massive Chinese public. A market that contemporary Hollywood seeks to conquer.
With everything and the success of locating characters and narrative in China, what really stands out is the sensitivity of the film to find its own voice. A voice that can certainly be taken even literally with the hypnotic intonations of a being of icy origin, but warm heart.
It is true that the premise approximates that of E.T. The Extraterrestrial (1982) by Steven Spielberg, and which has substantial echoes of another magnificent work called Kubo and the samurai search (2016). But Abominable surpasses those references to place its young protagonists in situations and environments that go from the imposing to the touching. And that go from reality to magic, with a success that we could describe as poetic.
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